| |
 |
| student: Caylah Eddleblute |
| category: Graphic Design |
|
|
|
| Design Competition |
|
| |
City Project's
Logo and Brochure Design |
| |
|
|
| |
Congratulations: Amy Finder,
Master's Graphic Design Certificate student from Kentucky,
is the winner of the City Project design competition!

Amy Finder's final design,
after several stages of revision.
Competitors were given the challenge of doing a logo
redesign, and then designing a 6 panel brochure in
only two colors to represent the mission and values
of City Project, a grassroots budget advocacy organization
in New York City.
The brochure had to look polished and
professional, but representative of an organization
known for lobbying City Hall in pursuit of fair city
budget policies.
Limited to using the colors on the City
Project Web site, competitors submitted logo designs
first, and finalists were selected to go ahead and
do the brochure design. The submissions that came
in were so all-around impressive that the faculty
judges submitted no fewer than ten semi-finalists
to the client.
Here's
the story of how Amy Finder won
the City Project design competition:
| Round
One: The Logo Design |
|
 |
| City
Project's old logo consisted of their name
next to a series of bars, symbolizing both
a bar graph and also the city skyline. They
wanted to carry over this metaphor into the
logo redesign, but the words needed to integrate
better with the icon.
When the logo designs came in, many of them
showed incredible promise. Initially, the
client felt that Amy's logo had promise but
there was a problem: the shape of the "c"
with the buildings through it wound up looking
a bit like the "cents" symbol for
American currency, which was too close to
home in a negative way. "We didn't want
our logo to have the connotation of being
about money in a greedy sense," said
Bonnie Brower of City Project. "We are
a budget advocacy organization, but we're
not about money in the same way that a bank
or financial institution is."
Amy approached her redesign thinking about
the values of City Project and came up with
a logo that showed the city skyline being
embraced inside the negative space of the
letter C. "As soon as we saw this version
of the logo we said, that's it. She totally
got what we're about!" |
| |
| Round
Two: A Winning Concept |
|
 |
 |
| Amy's
first design had tremendous potential,
but the cover was not as strong as
the inside panels; she needed a more
dynamic bridge image. |
| |
Amy's first brochure design stood
out from the group in terms of the
readability of her inside treatment.
"The way she emphasized the heading
of each section really made me care
about the information," said
Bonnie. "And I thought the text
was easiest to read of any of the
brochure submissions."
The cover of Amy's brochure still
needed some work. The folks at City
Project found the bridge image lacking
in "oomph." The shape was
too symmetrical and basic, and the
subtle color seemed weak. Amy went
back to the drawing board to research
a more dynamic bridge image to use
as a silhouette. She found an image
of the Brooklyn Bridge which brought
a lot more energy to the page.
The finalist brochures were submitted
to the City Project board of directors
to vote on the winner, and they really
gravitated towards Amy's design. In
the words of one board member, "I
like the Brooklyn Bridge as a symbol
of the City, and underscores our interest
in the boroughs outside of Manhattan."
Another stated, "The Brooklyn
Bridge gives a very NYC local feel.
The design is simple but effective.
The logo is the best of the three.
Also, I think this version reflects
the agency's mission and goals."
In the end, Amy's brochure was chosen
because, as a third board member said,
"it seems to best reflect what
City Project is and does."
This is not the first competition
for Amy; she's been a frequent and
dedicated participant in Sessions's
design competitions, each time getting
closer and closer to making the final
cut. Her perseverance really paid
off as her work improved with every
competition. "I feel really honored,"
says Amy. We at Sessions are very
proud of her!
|
|
| |
|
RUNNER-UP:
|
 |
| Gorana Urlic 's brochure design |
Gorana Urlic
Though they could only pick one winner, City
Project loved the work of finalists Gorana Urlic and
Diane Clinton. "Gorana's skyline was so visually
arresting," said the client. "She managed
to create the illusion of a much richer color scheme
than the two colors we were actually limited to in the
print job."
|
 |
| Diane Clinton 's brochure design |
Diane Clinton
I mpressed Sessions faculty judges and City Project
alike with her dynamic cover design and consistent carry-over
on the inside panels. "We loved the movement and
the way she simplified the Statue of Liberty image,"
said Bonnie Brower. Congratulations to both finalists
on excellent work!
|
| |
go to top |
|
|