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Graphic Print Design Course
Advanced Layout Design
Tools and techniques for creating killer design layout, spreads and projects |
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it's a magazine spread, a subway poster, or even a Web page, nothing
connects or communicates like a great layout. Layout design, the
art of what goes where on a page or editorial spread, is a creative
challenge for any graphic designer.
In this intensive 3-lesson course, you'll tackle advanced-level
layout projects that push your design skills to the limit. You'll
learn how to build strong foundations for your page design, explore
creative applications for lines and shapes, and discover how to
break the rules while maintaining the underlying structure of a
page. Case studies will analyze carefully selected examples of layout
designs considered to be classics of graphic print design. Course projects
include a 4-page magazine spread, a book jacket design, and a calendar.
This course is geared to intermediate/advanced graphic design students
looking to stretch out and add distinctive print designs to their
portfolios. Principles learned in this class can be applied to any
layout design, from print to packaging, the Web, and beyond.
Read an interview
with Thom McKenna on logo design. |
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Tuition:
$421
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Prerequisites:
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| To take this course,
you'll need: |
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Computer with Internet connection
(56 Kbps modem or faster). |
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Adobe Illustrator or Macromedia
Freehand and/or QuarkXpress or Adobe Indesign and Adobe Photoshop.
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Basic experience in graphic design
and the software packages needed for this course.* |
| * If needed, the following courses
can help you meet the above requirements: |
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Illustrator
Basics
Quark Basics
Photoshop Basics |
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Objectives:
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Students can expect to learn how to: |
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Develop an understanding of the structural foundations of layout design, creating a grid and placing fundamental elements in a page layout.
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Create an editorial layout for a 4-color design magazine, using a grid system as a foundation: manuscript, column, modular, or hierarchical. |
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Identify and apply geometric approaches to layout design, using ratios, proportions, lines, and shapes. |
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Create page layout templates using geometric proportions: golden rectangle, golden spiral, or root 2 rectangle. |
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Develop an understanding of the principles of balance, negative space, and focal points in a composition. |
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Develop an understanding of techniques for unifying a page design, including framing, page bleeds, layering, and proximity. |
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Explore and apply alternative layout techniques and approaches to composition. |
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Design a calendar using alternative layout techniques and/or approaches to composition. |
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Outline:
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LESSON 1 Structural Foundations
Don't let anyone tell you otherwise, the basis of creative
layout design is organization. Lesson One explores the
structural foundations of layout design—how designers use
grid systems to unite text, images, and other page elements within
an overall visual communication. Case studies on A.M. Cassandre
and Josef Müller-Brockmann explore how the masters constructed
fluid designs on firm foundations. You'll learn how elements such
as margins, markers, modules, and flowlines help to unify a page
or spread. Then you'll examine applications for the common grid
systems used by designers: manuscript grid, column grid, modular
grid, and hierarchical grid. In the exercise, you'll apply these
concepts to the design of a 4-page magazine spread. |
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LESSON 2 Geometric Design
Order is a necessary element in all design and a complement to creativity.
Lesson Two explores creative applications for a geometrical approach
to page composition. Classic proportional systems are explored,
including such as the golden section, golden spiral, Fibonacci sequence,
root 2 rectangle, and the rule of thirds. You'll also investigate
how to use lines and shapes as graphic elements to create a sense
of order. Lines, curves, circles, angles, bars and squares, and
patterns are all explored as possible tools for structuring a layout.
The lesson concludes with a discussion on the importance of balance,
negative space, and strong focal points. In the exercise, you'll
apply these principles to a book jacket design. |
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LESSON 3 Structure
and Deconstruction Lesson Three looks at ways of moving
beyond traditional layout structures and using a more intuitive,
experimental approach. Unconventional structural approaches discussed
will include contextual framing, page bleeds, layering, proximity,
and hypnotic wandering. Type layout concepts discussed will include
3-D type, chunking, text columns, and the vexed question of legibility.
Finally, you'll explore some Post-Modern layout techniques: freeform,
surreal collage, 3D environments, fragmentation, graffiti, cutouts,
overprinting, and conceptual design. In the final project, you'll
select an avant-garde technique and apply it to a challenging calendar
design project. |
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| Tuition:
$421
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