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Print Production
A
step-by-step guide to successful print design project results |
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| Jeannette-Marie
Smith, an illustrator from New York, created
these business cards that reflect her topical sense
of humor. |
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For many designers and desktop publishers, sending a job to the
printer is a mysterious (and expensive) process of trial and error.
Guesswork doesn't cut it. That is why we offer this distance learning
course in Print Production so that you can achieve your desired
results when printing all of your graphic design projects.
To manage a print job effectively, you must understand how printers
work, how to communicate with them, and how to identify the best
design solution for your budget.
Tired of learning the hard way? In this 6-lesson course, you can
learn the technical fundamentals of producing professional-looking
print publications. Through detailed lessons and hands-on exercises,
you'll learn what you need to know at every step of the printing
process. You'll learn to choose file formats and fonts, specify
or separate colors, and manage the different phases of the final
production workflow. |
Tuition:
$803 US   |
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Faculty:
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Thom McKenna is the owner/creative director
of a New York-based graphic/multimedia design firm ... get
bio |
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Prerequisites: |
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| To take this course, you'll need: |
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Computer with Internet connection (56 Kbps modem or
faster). |
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Adobe Photoshop or equivalent digital imaging program. |
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QuarkXpress or Adobe InDesign highly recommended.* |
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Students without Quark or InDesign can complete class exercises using Adobe Illustrator if needed. |
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Basic experience in graphic design and the software
packages needed for this course.* |
| * If needed, the following courses can help you meet
the above requirements: |
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Photoshop
Basics
InDesign Basics
Quark
Basics |
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back to top |
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Objectives:
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Students can expect to learn how to: |
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Develop a basic understanding of the print/publishing process and how to estimate a print project's quality, schedule, and budget.
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Critique a print job, demonstrating a basic understanding actual vs. perceived size, imposition, paper stock, and number of pieces. |
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Develop an understanding of different kinds of print vendors and printing technologies and how to communicate specifications to printers. |
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Critique two contrasting print publications, demonstrating an understanding of paper color, different colored inks, item size, number of pieces of paper, and perceived quality. |
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Develop an understanding of the strengths and weaknesses of various software programs for print publishing. |
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Develop an understanding of the important role of font management in sending jobs to printers. |
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Create a corporate brochure using text and graphical elements, demonstrating an understanding of using the design grid, negative space, color matching, and legibility. |
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Identify the difference between print and monitor resolution and learn tips for working with different image sources: scanners, digital photos, and stock photos. |
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Explore and analyze the effects of reproducing multiple copies of a continuous tone image and resizing bitmap and vector graphics. |
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Develop a basic understanding of how different color modes work and appear on screen and in print. |
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Identify the purposes and benefits of one-, two-, three-, four- and six-color printing and common applications and benefits of process colors. |
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Develop a promotional piece (business card or postcard) for printing, using a four-color design and advanced techniques. |
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Develop an understanding of the various precautions taken in a preflight check and in handing off a job to a service provider. |
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Develop a promotional piece (business card or postcard) for printing, working within a limited budget for design features. |
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Outline: |
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| LESSON 1 Mapping Out the
Job Any time you work with a printer, you've just landed
two jobs: designer and production manager. What's required? Lesson
One provides a thorough overview of the print production process.
You'll look at the different ways in which print jobs are communicated
from a client/employer to a designer to a printer. And since project
guidelines and quality objectives need to be defined in any print
job, you'll explore how factors such as folding, binding, volume,
colors, graphics, paper stock and weight impact cost and quality.
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| LESSON 2 The Bermuda Triangle
After you send it out, your print job enters a Bermuda Triangle:
a kind of no-man's land between you, the service bureau, and the
printer. Lesson Two gives you a behind-the-scenes tour of the print
shop. You'll get an overview of the core functions of each vendor
in the printing process, learning what they do and how to identify
a good one. You'll learn about the different processes in offsetting
printing (and other printing options) covering essential printer's
terms as you go, so that you too can speak the lingo. |
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| LESSON 3 The Desktop Publisher's
Toolkit Desktop publishing opened a Pandora's box for designers
(so many options on your computer, so many pitfalls). Lesson Three
covers what you need to know to set up files your printer will accept.
You'll learn which software programs to use -- digital imaging,
vector-based, or page layout -- and which to avoid. You'll look
at the range of digital file formats available, identifying the
best export options to send to a printer. Finally, you'll explore
font management issues, with a focus on differentiating postscript
from styling fonts. |
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LESSON 4
Inside the Image In print, every little pixel counts towards
the impact of your publication. Lesson Four gives you a grounding
in setting up graphics for a print job. You'll look at the differences
between print and monitor resolution and learn how to calculate
the right image resolution or linescreen for your print job. You'll
learn how to scale raster- and vector-based images without sacrificing
quality. Finally, you'll address the challenges of working with
different image sources: from scanning, digital photos, and stock
CDs. |
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| LESSON 5 Color
Specification Color specification plays a key role in any
print job, both in terms of product quality and the cost of the
enterprise. Lesson Five guides you through intricacies of printing
in color. You'll begin with bit depth, comparing the differences
between monitor and print representation of color. RGB and CMYK
color systems are explained, and the pros and cons of different
color printing options (from 1- to 6- colors) explored. You'll learn
about color separations, spot colors, spot varnishes, and more.
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LESSON 6 Final Production
and Hand-Off All done? Not until you prepare your print
job for final production. Lesson Six covers the detail-intensive
world of the pre-flight check. You'll learn what items to prepare
for hand-off to your service provider, looking at the typical forms
and markup conventions used in the industry. A range of specification
foundations is covered, from crop marks, to file information, proofs,
registration marks, printer's marks, and more. The course will wrap
up with sage advice on managing your printer hand-off and going
on-press. |
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Tuition:
$803 US
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